Hi. It's been very rainy here lately, which is really great for growing things of all sorts, but it does tend to dampen the spirit a bit. Still, instead of letting the blah weather get me down, I decided to turn it to practical use!
Today I turned my Fiskars Sunburst border punch into a triple treat by using it three times to achieve a new look for a card. This whimsical image, titled "Drenched" is once again by From the Heart Stamps. I can't seem to get away from these adorable digitals!
I printed my image on Neenah Classic Crest solar white cardstock and colored it with Copic Sketch markers in primarily purple and yellow shades. I die cut it using Spellbinders Nestabilities Labels Eight. And although it's difficult to tell from this photo, I used Glossy Accents on the raindrops and water puddle for some shine.
On the inside, I repeated the Fiskars sunburst borders twice. I tried lining up the punches exactly, but decided the result was too formal for this image. This offset punch pattern reminded me a bit of a running stream of water between the yellow and white papers.
And that's it! I hope you like the look of my triple treat punch. Thanks for visiting, and please join me again soon.
Showing posts with label Classic Crest. Show all posts
Showing posts with label Classic Crest. Show all posts
Tuesday, May 21, 2013
Friday, May 17, 2013
Using a Digital Stamp for Copic Coloring - Inks and Papers
Hi. Welcome to today's post.
Today I'm wrapping up the project that I previewed last Friday: Humble Anneke. This sweet little girl just melted my heart when I first saw her. Anneke is a digital stamp by From the Heart Stamps.
For those who haven't tried a digital stamp, it's important to remember that the type of printer ink makes a difference in how your colored image turns out. Apparently laser printers are best when printing digital stamps for use with Copic markers - but I have an inkjet. I've successfully printed digital images and avoided any bleed-out of the image, but I've also had a few that weren't so successful. I've been told that either heat-setting the image, or letting it dry for a day or two, may help with this issue. Either way, I recommend giving it a try when you have time to test your papers and inks. (I have printed my images thus far on Neenah Classic Crest solar white card stock. The preferred "Blending Card by X-Press It" used by many Copic artists may work better. I haven't yet tried it for digital images, but can attest to its wondrous results for coloring!)
I started the coloring process on Anneke with her hair. As you can see, her hair is long and wavy. Wavy hair is a bit more complex than straight hair – and requires a different technique. Each strand of hair should be colored separately. Strands that appear to be part of an outer layer will catch light and should be highlighted. Likewise, hair that curves outward will catch light. Artists typically use Copic marker numbers ending in 0-3 for highlights. For this image, my highlight (base, or undertone) color is E31. The midtone is E35, and the darkest color is E37. This is a natural blending family.
After laying down a base of E31, I used a flicking method (from the crown down and from the tips up) to establish the dark colors with E37. Finally, I did minimal blending with the E35 midtone.
For Anneke’s skin, I chose E000, E21, E04, and BV000. Yes, that’s right, there’s a blue-violet in there! Why? Because blue and violet are complementary colors to yellow and orange, the tone of most people's skin. The blue-violet helps to calm down the stark contrast in the shading.
Now, you may be thinking at this point that her skin still has some really serious contrast happening. That's true, and this is one of the scariest things about coloring with Copic markers until you get used to the idea of it. Most beginning artists over-blend and really tone down a lot of contrast. (And by the way, I definitely consider myself a beginning artist.) The hope, though, is that the greater contrast will add depth and beauty to the image.
The final steps were to finish Anneke's clothing and accessories. I chose two complementary colors: blue-violet and yellow. At long last, she became the focal point of this lovely card. I used Bazzill card stock, Spellbinders Nestabilities picot edge circles for the white background, Simon Says Stamps "You" set for the sentiment, and Mark Richards Crystal Stickers colored with Copic BV13 for embellishment. I hope you like my final result.
Thanks for visiting, and please stop by again for a brand new topic. Happy Friday!
Today I'm wrapping up the project that I previewed last Friday: Humble Anneke. This sweet little girl just melted my heart when I first saw her. Anneke is a digital stamp by From the Heart Stamps.
For those who haven't tried a digital stamp, it's important to remember that the type of printer ink makes a difference in how your colored image turns out. Apparently laser printers are best when printing digital stamps for use with Copic markers - but I have an inkjet. I've successfully printed digital images and avoided any bleed-out of the image, but I've also had a few that weren't so successful. I've been told that either heat-setting the image, or letting it dry for a day or two, may help with this issue. Either way, I recommend giving it a try when you have time to test your papers and inks. (I have printed my images thus far on Neenah Classic Crest solar white card stock. The preferred "Blending Card by X-Press It" used by many Copic artists may work better. I haven't yet tried it for digital images, but can attest to its wondrous results for coloring!)
I started the coloring process on Anneke with her hair. As you can see, her hair is long and wavy. Wavy hair is a bit more complex than straight hair – and requires a different technique. Each strand of hair should be colored separately. Strands that appear to be part of an outer layer will catch light and should be highlighted. Likewise, hair that curves outward will catch light. Artists typically use Copic marker numbers ending in 0-3 for highlights. For this image, my highlight (base, or undertone) color is E31. The midtone is E35, and the darkest color is E37. This is a natural blending family.
After laying down a base of E31, I used a flicking method (from the crown down and from the tips up) to establish the dark colors with E37. Finally, I did minimal blending with the E35 midtone.
For Anneke’s skin, I chose E000, E21, E04, and BV000. Yes, that’s right, there’s a blue-violet in there! Why? Because blue and violet are complementary colors to yellow and orange, the tone of most people's skin. The blue-violet helps to calm down the stark contrast in the shading.
Now, you may be thinking at this point that her skin still has some really serious contrast happening. That's true, and this is one of the scariest things about coloring with Copic markers until you get used to the idea of it. Most beginning artists over-blend and really tone down a lot of contrast. (And by the way, I definitely consider myself a beginning artist.) The hope, though, is that the greater contrast will add depth and beauty to the image.
The final steps were to finish Anneke's clothing and accessories. I chose two complementary colors: blue-violet and yellow. At long last, she became the focal point of this lovely card. I used Bazzill card stock, Spellbinders Nestabilities picot edge circles for the white background, Simon Says Stamps "You" set for the sentiment, and Mark Richards Crystal Stickers colored with Copic BV13 for embellishment. I hope you like my final result.
Thanks for visiting, and please stop by again for a brand new topic. Happy Friday!
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