Showing posts with label Copic. Show all posts
Showing posts with label Copic. Show all posts

Sunday, January 7, 2018

Walking in a Winter Wonderland...Not!

Brrrrr! Good morning!

I awoke this morning to a bone-chilling two...that's 2...degrees! As my friends from the North Pole might say, "It's not a fit day out for man nor beast!" I can't remember the last time we were so cold. I thank God that our furnace is still working. I do wish it could keep up a little better though. I had to give the munchkin (a.k.a. Winnie the mini-dachshund) a blankie, along with darling husband, of course. ;-)


While we're only expected to reach 29 degrees today, I'm looking forward to the coming week, which will attain upper 60s by Friday! Hoorah!

So, in keeping with the current situation, I'm posting a card I made a while back with a digital image from Angel's Landing. The original black-and-white illustration is the work of Judi Maddigan, and I produced the color and finished product. This is one of my all-time favorite cards!


I just love these sweet little penguin babies! They make my heart laugh! I colored them with Copic Sketch markers, and then fussy cut around the images and popped them up with some Stampin' Up dimensionals. I had some beautiful winter-themed designer paper for the background. I hope they make you laugh, too.

Well, my office is in a cold part of the house, and I'm about to seek out my own blanket. Thanks for visiting, and please come back again soon. 

You can view some additional cards in my Etsy shop (link above right), if you'd like to pay a visit. I have additional sets ready (including Valentine's Day) and will be posting them there soon.

Stay safe and warm!



Saturday, December 21, 2013

Winter has arrived?

Hello everyone.

It's hard to believe that wintertime officially arrived today. Normally it's in the 20s to 40s this time of year, but today?  It was mid 70s!  Really.  I went out in just a light sweatshirt and thought I'd roast before I could get home and change it!

It may seem funny to comment on an unusually warm winter, but...that much warmth this time of year generally spells storms.  Tomorrow is expected to be no different. We're supposed to have thunderstorms and wind. Hold onto your lawn ornaments!

Well, now for a bit cheerier subject - my card for the day. This cutie is Candy Cane Anneke, the December stamp of the month by From the Heart stamps. Check out other gallery entries here.  (No one can say I'm not loyal, as I feature of lot of their digital images.) I have lots of other brands, but find these images incredibly fun to color with my Copic Sketch markers.



My Copic color choices include:
Hat and candy cane: R22, 24, 29, 39, 59, 89
Skin: E00, E11, BV00
Cheeks: R20
Eyes: B00
Hair: E50, E31, E44
Dress: B63, B66, B69
Boots: E42, E55, E35
Outline and white shading: W1

Here's a closer look:



This card features navy blue cardstock, white X-Press It blending card for the image, Spellbinders Nestabilities Lacey Ovales die cut, a royal blue oval taped behind the die cut for depth, and Liquid Pearls accents on Echo Park 6x6 "Winter Wishes" paper pad.

And on the inside, I have more Echo Park paper, along with my greeting from Hero Arts Stamp and Cut Season's Greetings set.

 
 
I had a wonderful time creating this little darling. In fact, I really couldn't help myself as I made several cards from this image with various color combinations and designs.
 
 





 
 
The first and third images directly above also feature embossed snowflakes in white opaque, as well as some gold and diamond colored Stickles in the center of the designer paper snowflakes. Hope you enjoy my fun cards.
 
Now, to all you and yours, may you have a safe, happy, healthy Christmas. May God bless us each and every one, as we celebrate once again the newborn King!

Friday, November 22, 2013

Get "Well"

My mother sent me an obituary from my hometown a few days ago. A "girl" I went to high school with passed away this week. It isn't the first time someone my age has died, and I suppose it's to be expected as I advance in years.

I hadn't seen my high school classmate in years - and didn't know she'd been sick. How sorry I am that life was so short for her - although who's to say?  Perhaps we assume that more years is better. Yet, sometimes we see (or hear of) people who do more living in 10 or 20 years than some of us will ever do in 90.  I hope she packed a lot of living into her 55 years.

As I read her final tribute, I began to ponder the "Get Well" cards I put in the mailbox just Monday morning. There were three of them. One was for cancer, one for a stroke, and the third was for a cousin hospitalized for days with severe bronchitis.  

It occurred to me today, though, that we probably should send out more of these than we do.  There are many more sicknesses than just those of the body, although there are plenty of those to go around. There are sicknesses of the mind, the spirit, the heart, the world, etc.  Do we send out enough cards to those who suffer from one of these? Why not?

It seems to me that the world has a serious lack of encouragement. Physical illnesses can generally be seen, but what about the others? That may be more difficult to detect.  What does it mean to us to "get well"?  Is the sentiment only for the body?  Would someone not physically ill understand if they received a get well card?

Today I'm featuring a get well card - in the traditional sense. This digital image is called "Drenched" and is sold by From the Heart Stamps. I truly enjoyed coloring this darling image with my Copic Sketch markers in primarily purple and gold colors. It isn't visible in this picture, but I used Glossy Accents to make the raindrops and water puddle shine.

 
The image is die cut using Spellbinders Nestabilities Labels Eight - and offset, with the left border trimmed. The purple Bazzill textured cardstock is punched with Fiskars' Sunburst border punch, which appears to be discontinued. The punch is used on the front of the card - and is repeated on the inside, using a staggered orientation to simulate the appearance of streaming water. I really enjoyed this effect!



As I look forward to the arrival of 2014, I making a resolution to "get well." While I have several chronic ailments, and it would be nice to be rid of them, my meaning will extend far beyond the physical. I'd like to attend to my spiritual health, the love(s) in my life, my attitude, and more. I'd like to focus on what's really important to me so that the world, whatever that may be next year, won't beat me to a pulp!

How about you?  What do you resolve to do, be, or have in 2014? What are your dearest desires?

Hope to see you back here soon. Thanks for stopping by!


Tuesday, July 2, 2013

A Rose Blooms in Summer

One of my favorite stamp sets is Fifth Avenue Floral from Stampin' Up. My favorite stamp from the set is a beautiful rose. It's taken me quite some time to figure out how to color it with Copic markers, but I'm getting better now, I think.

I thought it might be interesting to see the progression of how I colored the rose to make this colorful birthday card. I hope you enjoy seeing it come together.


 
 
Here is the uncolored stamped image:
 
 
The uncolored image provides very little dimension. If we've seen a rose, we know of course that it has a number of layers and delicate textures. In order to start providing some of that dimension, I began the coloring process by underpainting the image with a neutral gray color (Copic N2).
 
 
 
 
Already, it seems the rose has become multi-layered. The underpainting provides just enough contrast to start showing layers - and also serves to provide some guidance about where shadows will fall in the finished image. In this case, the light source is assumed to be coming from the front right of the image. All shadowing should be consistent with that light source.
 
 
 
Now the rose is a beautiful pink (R81 and R85). Areas that were previously underpainted in gray have now been accented in a dark pink color. Some blending of color has been done, but dark areas continue to be dark. The rose continues to have dimension, but it is once again unclear where the light source is. Additional work is needed to restore a sense of light.
 

 
The final bit of "coloring" is shown in the image above. Actually, this effect was achieved by using the colorless blender marker (0) to move color around on the rose petals. Some people erroneously believe that the colorless blender marker removes color from an image; this is not true. The colorless blender simply moves color away from the marker tip to surrounding bits of the image. It is then important to do further blending to avoid dark lines where the ink has moved.


 
Finally, one last technique was used to bring dimension to the rose. The final image is actually two roses that were colored identically and then cut apart. The center and outer edges of the rose were cut from image 1, and then the middle section of the rose is from image 2. The pieces were then re-assembled using foam dimensionals to pop each piece up from the surface of the card.
 
The card uses Bazzill cardstock, Spellbinders ticket die-cut in two sizes, Mister Huey honeydew misting spray, and Heidi Swapp's 6x6 lattice spray stencil. Finally, the birthday greeting is from SU!'s Itty Bitty Banners. 
 
I hope you enjoyed this brief explanation of how this lovely rose bloomed this summer. Thanks for stopping by, and stay tuned for some scrapbooking fun!
 

Sunday, June 30, 2013

A Sea Turtle for Summer

Isn't nature amazing?!?  Today I'm sharing a new image I picked up from...you know where...From the Heart Stamps. I know, I know, I'm like a broken record! I do own lots of other stamps, I promise, and one of these days soon I'm going to post a number of cards from them. For today, though, I have this new digital stamp of a sea turtle.  I had such great fun with this one.





Now before you start thinking that my coloring is all wrong, or really weird, take a look at my inspiration photo for this one. I simply did a quick Google search on "sea turtle image," and this is what I found. Isn't it a beauty?!  My thanks to GulfMex.org for posting it.

Image found at http://www.gulfmex.org/wp-content/uploads/2012/05/SEA-TU1.jpg on June 25, 2013

We have such a wonderful, colorful world, and reality is almost always more interesting than fiction! Sometimes when I'm coloring an image I like to see what a creature, or flower, or something else, actually looks like.  So, I run a quick search on the Web and find tons of choices. I usually print out my favorite and then attempt to copy it from real life.

Of course, my choices are always limited by my Copic marker inventory. For this image, the turtle shell is E07 and YR07 (brights), E19 (accent), and E40 (base). The head, neck and fins are E50 (base), Y32, YR21, and YR15.

This image also has a sandbucket and shovel (YR02, YR07, Y18, Y35, B24, and B26). The ocean water and accent color in the fan shell are BG000 and BG10. The starfish has various earth tones from the E colors of Copic Sketch markers.

Finally, I employed a few different colors for the sand.  My base is E42 (sand white), with spots of E40 and E51.  I finished it off with the Atyou Spica Glitter Pen in clear color. It made the sand look like little specks of shiny gold! I hope you can see a bit of shine in the sandbucket and in the sand between the bucket and the mama turtle.



Enjoy! And stay tuned for more cards and scrapbooking treasures over the next few weeks. We're gonna get scrappy around my house! Thanks for stopping by.

Thursday, June 27, 2013

There are Always Flowers

This Friday marks a turning point in my life: my boss is retiring. Now, I don't know that she would want her name or photo posted on a blog, so I'm not including them.  She has a really unique name, so it wouldn't be fair. Still, I want to pay a short tribute to her, even though she'll probably never see it. It doesn't matter; she doesn't seek praise. She does what she does to be true to herself.

Some people might be glad to see a boss retire, but not me - not this one. I dearly love my boss. She's been my mentor, my inspiration, my source of knowledge, and in many ways my friend for the 2 1/2 years I've had my job. I know that a new leader is coming in, and I have the greatest respect for what she'll bring. I'm not worried about leadership; I'm simply sad to say farewell to my dear friend.

You may wonder what makes her so memorable for me. So, this is what I can say. "L" is always even-tempered; I have rarely seen her flustered. She always has a kind word to say, and for her the glass is always half-full. Most of the time, it's all-full. She meets frustration on my part with a simple phrase, "Calm down." Then when my spirit is quiet, we tackle challenges together. (I find this somewhat funny, as I always thought I was calm!)

"L" has been preparing me for her retirement for the length of my service in my job. She was fulfilling her own commitment before retiring and has stayed on long after most would have departed.  She has maintained her integrity and done her work faithfully for a long time. She is beloved by many - and sought out for her counsel constantly. Her shoes will be hard to fill.

Because of who "L" is, I made a special easel card for her staff to sign. It carries a quote from Henri Matisse: "There are always flowers for those who want to see them."  She liked that sentiment! And the flowers I get to see today are that we have promised to see each other and have lunch from time to time. While I'll miss her day-to-day, it isn't goodbye forever!  Praise God!





 
The flowers are dogwoods from Hero Arts. This is a single stamped image. The card is an easel card made from several different card stocks, including Bazzill and Neenah Classic Crest. The dogwoods are colored with Copic markers in pink and green. Coloring was super simple, as the shading for the flowers and leaves is already stamped from the image; there's no guesswork about where to shade.
 
The design for the easel part of the card came from a Split Coast Stampers tutorial by Beate Johns. I made my card a standard 5.5 inches wide, rather than the 4 1/4" she used. All other measurements were the same. This easel was super simple!
 
Thanks for reading my tribute to "L" and please join me again for a really fun card!


Tuesday, May 21, 2013

Triple Treat Border Punch

Hi. It's been very rainy here lately, which is really great for growing things of all sorts, but it does tend to dampen the spirit a bit.  Still, instead of letting the blah weather get me down, I decided to turn it to practical use!

Today I turned my Fiskars Sunburst border punch into a triple treat by using it three times to achieve a new look for a card. This whimsical image, titled "Drenched" is once again by From the Heart Stamps. I can't seem to get away from these adorable digitals!



I printed my image on Neenah Classic Crest solar white cardstock and colored it with Copic Sketch markers in primarily purple and yellow shades. I die cut it using Spellbinders Nestabilities Labels Eight. And although it's difficult to tell from this photo, I used Glossy Accents on the raindrops and water puddle for some shine.

On the inside, I repeated the Fiskars sunburst borders twice. I tried lining up the punches exactly, but decided the result was too formal for this image. This offset punch pattern reminded me a bit of a running stream of water between the yellow and white papers.



And that's it! I hope you like the look of my triple treat punch. Thanks for visiting, and please join me again soon. 

Friday, May 17, 2013

Using a Digital Stamp for Copic Coloring - Inks and Papers

Hi. Welcome to today's post.

Today I'm wrapping up the project that I previewed last Friday: Humble Anneke. This sweet little girl just melted my heart when I first saw her. Anneke is a digital stamp by From the Heart Stamps.

For those who haven't tried a digital stamp, it's important to remember that the type of printer ink makes a difference in how your colored image turns out. Apparently laser printers are best when printing digital stamps for use with Copic markers - but I have an inkjet. I've successfully printed digital images and avoided any bleed-out of the image, but I've also had a few that weren't so successful. I've been told that either heat-setting the image, or letting it dry for a day or two, may help with this issue. Either way, I recommend giving it a try when you have time to test your papers and inks. (I have printed my images thus far on Neenah Classic Crest solar white card stock. The preferred "Blending Card by X-Press It" used by many Copic artists may work better. I haven't yet tried it for digital images, but can attest to its wondrous results for coloring!) 

I started the coloring process on Anneke with her hair. As you can see, her hair is long and wavy. Wavy hair is a bit more complex than straight hair – and requires a different technique. Each strand of hair should be colored separately. Strands that appear to be part of an outer layer will catch light and should be highlighted. Likewise, hair that curves outward will catch light. Artists typically use Copic marker numbers ending in 0-3 for highlights.  For this image, my highlight (base, or undertone) color is E31. The midtone is E35, and the darkest color is E37. This is a natural blending family.

After laying down a base of E31, I used a flicking method (from the crown down and from the tips up) to establish the dark colors with E37. Finally, I did minimal blending with the E35 midtone.




For Anneke’s skin, I chose E000, E21, E04, and BV000.  Yes, that’s right, there’s a blue-violet in there!  Why?  Because blue and violet are complementary colors to yellow and orange, the tone of most people's skin. The blue-violet helps to calm down the stark contrast in the shading.


Now, you may be thinking at this point that her skin still has some really serious contrast happening. That's true, and this is one of the scariest things about coloring with Copic markers until you get used to the idea of it. Most beginning artists over-blend and really tone down a lot of contrast. (And by the way, I definitely consider myself a beginning artist.) The hope, though, is that the greater contrast will add depth and beauty to the image.

The final steps were to finish Anneke's clothing and accessories. I chose two complementary colors: blue-violet and yellow. At long last, she became the focal point of this lovely card. I used Bazzill card stock, Spellbinders Nestabilities picot edge circles for the white background, Simon Says Stamps "You" set for the sentiment, and Mark Richards Crystal Stickers colored with Copic BV13 for embellishment. I hope you like my final result.
 

 
Thanks for visiting, and please stop by again for a brand new topic.  Happy Friday!

Tuesday, May 14, 2013

Using Masks to Test Color Options

Hi. Today's tip is really simple - but ultimately very useful.

Last Friday, I introduced you to Humble Anneke. As I worked to complete my project with Anneke, I had to make some decisions. One of them was about color.

I started with Anneke's hair and skin, and then progressed to her clothing. I knew I wanted a blue-violet "apron," as well as a contrasting yellow color. But when it came time to decide whether to use white for the main color and add yellow polka dots, or use a yellow base with white dots, or some other combination, I just couldn't decide.

Now, after you've spent a tremendous amount of time coloring, you don't want to mess something up and be unsatisfied with it! After a few minutes, the perfect solution came to me: test out the combinations before adding them to the actual image!

So, I pulled out my brand new, unopened Copic bleedproof marker pad and used a multiliner pen to trace the appropriate part of the image. I repeated this a couple of times. I colored the images with different color combinations and then fussy-cut them out. I placed the pieces on the image one at a time and chose my favorite one. Then I colored the actual image with my choice.

Testing color options using masks


Final color choice after testing

If you don't happen to have a Copic bleedproof marker pad, don't worry. You could just as easily use vellum to trace or stamp your image, then color and cut it out. Take care though; vellum may have some bleed through, and if you're tracing on your original image, you could ruin it.

My final color choice was slightly different from both masks. I ended up using a very pale yellow (Yellow Fluorite, Y0000) base, with darker yellow polka dots, sash, and bows (Y23, Y32, and Y35).

I also attempted to draw in a cast shadow to ground Anneke on the card stock, but had a bit of a mishap there. So, I ended up fussy-cutting her, too. As you might imagine, cutting out Anneke changed my idea for the card, so please be patient with me as I move toward a completed card. I'll post it just as soon as it's complete.

Thanks for visiting. I hope you find today's tip helpful, and I hope you'll join me again soon to wrap up this project. Peace!

Sunday, May 12, 2013

Happy Mother's Day!

Hello. Mother's Day has arrived once again, and I continue to be blessed to have my dear Mom in my life on this very special day. Mom, if you're reading, Happy Mother's Day, and I pray you have many more!

I also wish all other mothers a blessed day, as well.  I can't think of a more important job in this world than the one you have. You all are to be commended for pouring your heart and hands into your children's future. May they honor you in return now and in the years to come.

Finally, for those women who nurture their spouses, their pets, siblings, cousins, aunts, uncles, nieces, nephews, friends, or anyone else, your role is important, too! Please continue to offer your special brand of love, and you will surely be blessed.

Today I offer this card featuring a digital stamp called "Gathering Hearts." It's offered for download by From the Heart Stamps. It's a wonderful image to use with Copic markers. I promise to offer a coloring video in the near future, but for today I'll simply tell you the Copic colors I used for the various elements.



Hair:  E11, E18, E19
Skin:  E00, E11, BV00
Flower in Hair: Y11, Y19
Hearts: R29, R39, 0 Colorless Blender (careful: Reds bleed very easily!)
Dress: BG11, BG15
Pail: C1, C5
Shoes: C1 (shading only)
Grass: YG17, YG25

For anyone who wants a closer look:



This image is colored on Neenah Classic Crest solar white cardstock and mounted on American Crafts woven cardstock in robin's egg blue. The die cut is Spellbinders Nestabilities Decorative Labels Eight.

Thanks for visiting. Have a wonderful day - and may God bless!

Friday, May 10, 2013

Copic Coloring Guide: Level 3: People

Happy Friday! Thanks for joining me.

Today I want to share a Friday favorite! Several weeks ago, I purchased the Copic Coloring Guide: Level 3: People by Colleen Schaan and Marianne Walker. (I also own Level 1, but I'll save that for another time.) I must say that Colleen and Marianne have really outdone themselves with this book.



I am truly astounded at how much I've learned - and so quickly, too. With a focus on "people" one might expect to learn about skin, hair, and faces - and not much else. Not so! Those topics are covered in great detail, but there are so many additional helpful hints along the way that I will keep the book handy at all times as a reference.

I won't give away too much content here, as that would be unfair to the authors, but I can share a few favorite tidbits such as:

  • Always "light" a featured image from the face to give it importance; i.e. the face should be highlighted and the back in shadow - unless there is a specific artistic reason to do otherwise.
  • Skin tones change as people age. Babies and toddlers are the purest and have a pinker tone. Older people are more "pasty."  Oh my!  Sounds terrible, doesn't it? Well, don't worry. We older folks are still beautiful!
  • Don't use a colorless blender on a face; it can leave the image looking splotchy.
  • Most people color clothing/fabric in solid colors. Much clothing is patterned. Use advanced techniques to add patterns to clothing. (I'll feature this in a coming post.)

Finally, the Copic Coloring Guide has numerous colored card samples. All materials are listed. I have already discovered a number of new sources for digital stamps, which I find fascinating - and less expensive than other types of stamps.

Today's image is a work in progress. This is "Humble Anneke" by From the Heart Stamps. (See link at right.) I'm using stepped images, and today I have the hair complete. Here's a little preview of an upcoming post.
 
 
Thanks for visiting. Please join me again to see how Humble Anneke turns out.  May God bless!
 

Monday, April 22, 2013

Best Laid Plans

Hi.  Today I had the most marvelous plans to dazzle you with my wonderful card making skills and show you a beautiful finished card for a birthday this week. But a funny thing happened on the way to my goal...well, a couple of things actually! I chose to tell you about them because it's a definite lesson for me...and might save you some future troubles, too.

Here's what happened:
I printed out a digital stamp that I recently downloaded from From the Heart Stamps, one of my favorite go-to spots for digital images. I was just getting underway with coloring when I noticed that my C1 Copic marker (cool gray no. 1) wasn't working too well. On closer inspection, it appeared that the marker was running out of ink. There are three ways I know of to tell when ink is getting low. First, the pen fails to glide across the paper and starts to get "squeaky" as the color goes on. Second, the color gets splotchy; it's normally very even. (The gray watering can in the second picture below shows a definite unevenness of color near the right side.) And finally, a quick inspection of the brush tip will show a variation in color. The tip starts to turn a whitish hue of the ink color.  If you look closely, you'll see a slight line running up the ink tip in the picture below. There's also a tiny white tip at the end of the brush.


 
 
Well, needless to say, this was a most unwelcome occurrence! I immediately sprang into action and ordered a bottle of ink refill for this marker.  Then, as I opened some other markers, I found the same thing. There's only one explanation I can give. I cleaned all my markers these last couple of days in preparation for making blog videos. I used cotton swabs with alcohol, which is perfectly acceptable. What I fear has happened, however, is that I have gotten rubbing alcohol into the tips of my markers. I don't know precisely what the long-term effect will be, but for now they're definitely not working very well. I'm praying this will right itself in the next couple of days.
 
The second result of this situation is the reaction my markers had on my image. Under normal circumstances, a printed digital image works very well with Copic markers. Today, however, I am getting a definite "bleed out" of printer ink. You can probably see a slight pinkish tint around the black stamp lines in this frog image, particularly around his mouth and eyes. Unfortunately, I was using nothing but greens in my frog.
 
 
So, what to do?  Well, time will tell. If any of you have experienced this and have a good solution, I'm certainly interested to hear from you. I'll also be looking for other posts on YouTube about this particular dilemma.
 
Right now, though, I need to pull out a different type of marker or colored pencil and see whether I can make this frog hop on into the birthday girl's heart!  Wish me luck.
 
Thanks for visiting and please stay tuned for an update on "the Copic dilemma."